IGN

• PC
• PS4
• PS5
• XONE
• XSX/S
• 8 / 10
• États-Unis

Lies of P might not branch out particularly far from its soulslike inspiration, but like a marionette controlled by a skilled puppet master, it plays the part extremely well in a wonderfully dark fantasy world. It must be said that its uneven difficulty didn’t always make me feel like an underdog, especially when playing as a brawny, overpowered version of Pinocchio with a massive weapon, and combat pigeonholed me into a specific playstyle while the levels are less open and twisting than most. But with an awesome weapon crafting system, some really memorable boss fights, and one of the better stories we’ve seen in this genre, I can enthusiastically recommend you spend your time hanging out with Gepetto and friends. If you’ve been waiting for a Bloodborne remaster or sequel that may never come, Lies of P is the next best thing.

• PC
• PS5
• XSX/S
• SWITCH
• 8 / 10
• États-Unis

Mortal Kombat 1 is another great entry in this legendary series, but it’s not one without issues. The new Kameo system is excellent, there are smart changes to the fighting mechanics that address many of the fundamental issues that cropped up over Mortal Kombat 11’s life, and predictably, the fantastic single-player story mode that continues to be the gold standard of the genre. But certain elements of online play are starting to feel dated, and Invasions mode is not nearly engaging enough to hold my attention for as long as is needed to unlock a majority of the goodies hidden behind its many treasure chests and gimmicky battles. Still, Mortal Kombat 1 marks a new beginning for the franchise, and it’s a very exciting launching point for the next era.

• PC
• PS4
• PS5
• XONE
• XSX/S
• 7 / 10
• États-Unis

It’s said that imitation is the sincerest form of flattery. LEGO has Mega Bloks. E.T. has Mac and Me. Now Forza Horizon has The Crew Motorfest. To be fair, Motorfest is a robust racer with a confident sense of style, a quality arcade handling model, and a long list of generally well-planned events right out of the box. However, the shift to a smaller map has seen it lose a part of its old identity, boats and aircraft feel like they’ve been sidelined, and some of its event Playlists work a lot better than others. Ultimately, The Crew Motorfest is a little more Ice Ice Baby and a little less Under Pressure. It’s a catchy enough copy, but it ain’t exactly back with a brand new invention.

• PS5
• 6 / 10
• États-Unis

Firewall Ultra simultaneously feels like two steps forward and two steps backward. It somehow does just as much right – and wrong – as Firewall: Zero Hour, a VR game that is now over five years old. While its shooting and tactical teamwork feel, look, and sound better than ever, its content is limited and it’s filled with questionable uses of new tech like eye tracking. What it all adds up to is a decent competitive multiplayer shooter that just happens to be in VR, but its awkward controls are a shot in the foot rather than the shot in the arm that the PlayStation VR2 desperately needed.

• PC
• XSX/S
• 7 / 10
• États-Unis

It’s never a great sign when someone recommends a game on the grounds that it gets good after more than a dozen hours, but that’s very much the kind of game Starfield is, and I do recommend it. There are a lot of forces working against it, and the combination of disjointed space travel, nonexistent maps, aggravating inventory management, and a slow rollout of essential abilities very nearly did it in. It was the joys piloting a custom spaceship into and out of all sorts of morally ambiguous situations in a rich sci-fi universe that eventually pulled it out of a nosedive. I’m glad that I powered through the early hours, because its interstellar mystery story pays off and, once the ball got rolling, combat on foot and in space gradually became good enough that its momentum carried me into New Game+ after I’d finished the main story after around 60 hours. Like Skryim and Fallout 4 before it, there’s still an immense amount of quality roleplaying quests and interesting NPCs out there, waiting to be stumbled across, and the pull to seek it out is strong.

• PS5
• 8 / 10
• États-Unis

Trine 5: A Clockwork Conspiracy is an awesome sequel that keeps the good times rolling for one of the best co-op puzzle-platformer series out there. This set of puzzles are some of the strongest they’ve ever been, and boss fights are creative and original – even if those highlights are occasionally cut short with snooze-inducing combat sections and a predictable story. It may not do much to innovate beyond what we’ve done four times before, but Trine 5 plays to its strengths extremely well and makes some important tweaks here and there that definitely make it worthy of a playthrough or two.

• PC
• SWITCH
• PS4
• XONE
• XSX/S
• PS5
• 8 / 10
• États-Unis

Sea of Stars is an excellent tribute RPG that channels the best parts of its ‘90s-era forebears like Chrono Trigger, Final Fantasy 6, and even Star Ocean: The Second Story. Because of that, it’s fair to say that its world, graphical style, and mechanics aren’t wholly original, but there are enough interesting twists in its 30-hour story to make for a rich and enjoyable experience of its own merit. This isn’t just nostalgia fodder. That said, its twitchy combat can be difficult to get a handle on, and once you do, it only stays interesting for so long before its limited customization options make it start to feel just a little repetitive. That’s made up for by a strong soundtrack, an approachable and endearing story, and a wide number of fun zones and boss fights that make this a trip worth taking.

• PC
• SWITCH
• XONE
• PS4
• PS5
• XSX/S
• 9 / 10
• États-Unis

Before playing The Making of Karateka, I had no interest in Karateka beyond it being a historical stepping stone to Prince of Persia. But I get it now. I I see its many parts: The animation that was hand drawn from Jordan Mechner’’s snapshots of his family’s karate instructor; the music that began as a fatherly lesson in Wagner’s leitmotifs; and the cinematic framing of a story that cuts between scenes in a far more complicated way than, say, the “They Meet” cutscene in Ms. Pac-Man. Karateka is significant, but the story behind it is remarkable, and The Making of Karateka tells that story in the coolest way possible.

• PC
• SWITCH
• PS5
• XSX/S
• 8 / 10
• États-Unis

Blasphemous 2 is an excellent Metroidvania and a marked improvement over the original, even if it did occasionally make me cancel my lunch plans with its grotesqueries. What it lacks in originality with its design it more than makes up for with its bizarre world, appalling story, and inspired look and sound. The new weapons and focus on platforming definitely helped sustain my enjoyment for the campaign’s sizable duration, even when underwhelming enemy variety and unchallenging bosses leave something to be desired. Its stomach-churning religious torture porn might be as far as you can get from the adorable world of Hollow Knight, but you’d be hard-pressed to find something better to play while you continue your interminable wait for Silksong.

• PC
• PS4
• PS5
• XONE
• XSX/S
• 8 / 10
• États-Unis

Armored Core 6 doesn’t look to reinvent the bipedal legs of the mech action genre, but it does update, refine, and polish them to an aggressive shine. Every sortie is a satisfying combat puzzle to solve thanks to fantastic mission design, intense boss encounters, an extremely wide assortment of weapons and parts that can dramatically affect how your mech plays, and excellent, explosive combat that manages to take very complex systems and mechanics and make them easy to understand and execute. Its interesting premise is stifled by bland storytelling told through mission briefings and radio chatter, but this is still nonetheless a welcome return of a classic mecha series.

• PC
• PS5
• XSX/S
• 8 / 10
• États-Unis

Immortals of Aveum is an impressively confident first-person shooter that successfully trades muzzles and magazines for mages and magic. Its fast-paced, spellcasting combat is both satisfying to master and spectacular to look at, and it features a lengthy and hearty campaign packed with secrets to keep us going well after the story has wrapped. As someone who desperately hopes that unapologetically single-player shooters will live forever, these Immortals have done a great job of making sure they’re definitely not dead yet.

• PC
• 10 / 10
• États-Unis

I don't want to say every CRPG going forward should aspire to be like Baldur's Gate 3. Not everything needs to be nearly this big and ambitious, or even this dense. But it is a landmark moment in the genre, and if I had to point to one paragon that I would like everyone else making these to take inspiration from, this is absolutely it. I waited 14 years for the stars to align again so that we could get the ideal mix of crunchy, tactical, old-school RPG combat, an epic and well-written story with complex characters and lots of meaningful choices, and a level of polish and cinematic presentation that let me see the sweat and the sorrow on characters' faces in their darkest hours. Plenty of other games have partially completed that list, but the last time they all came together was Dragon Age: Origins in 2009. And I can finally say that game, and its Infinity Engine predecessors, have a worthy successor that’s not just matched their RPG greatness, but surpassed it. Baldur’s Gate 3 is just about everything I could have asked for.

• PC
• PS5
• XSX/S
• 4 / 10
• États-Unis

Any way you look at it, whether it’s an RPG, a real-time strategy game, or a colony sim, Gord is as miserable as its downtrodden villagers. Other games are bad because they aim too high, attempt too much, and fall down on their own merits. They are at the very least hoisted on their own petard, doing us the favor of digging their own grave or being entertaining in their failures. Gord does not; it simply falls flat and rots where it lies, surrounded by monotonous micromanagement, a poor interface, and by-the-numbers combat. I am content to leave it there, but you may bury it if you like.

• SWITCH
• 8 / 10
• États-Unis

Moving Out 2 is an extremely colourful and calamitous co-op sequel that’s as challenging as it is charming, serving up an enjoyably distinct set of crazy cargo collections that task you with bending at the knees while consistently splitting your sides. Spreading its preposterous brand of pass the parcel across multiple dimensions has empowered the developers to get really creative with the setup of each stage, although that added ambition has meant that some smaller corners have seemingly been cut. Still, the addition of online multiplayer should mean that more players will be able to rope in a moving buddy whether they share the same couch or not, which will hopefully go a long way towards making up for its lingering deficiencies as a single-player experience. If you’re up for another hectic house party with friends, Moving Out 2 hits harder than a thrown fridge.

• XONE
• XSX/S
• PS5
• PC
• PS4
• 6 / 10
• États-Unis

I have little doubt that in a year or two, when they’ve added more scenarios and maps, fixed the most pressing technical issues, and maybe thought up a better way for newcomers to learn how to play, The Texas Chain Saw Massacre will become a staple in my growing asymmetrical horror games library. For now, however, my recommendation comes with a lot of caveats. While the less lopsided take on the asymmetrical horror format definitely works, the shallow number of samey maps can get monotonous pretty quickly, and even with a fair number of playable characters and a solid progression system, I found myself way too comfortable with the three scenarios after just a few hours. Still, the potential behind this format and the reverence for the beloved horror classic it’s based on is clear, even when it does feel a tad half-baked coming out the gates.

• PC
• PS5
• XSX/S
• 7 / 10
• États-Unis

Atlas Fallen is a solid open-world action RPG with plenty of platforming and large monsters to fight. Putting aside its weak story and the console versions’ gritty graphics there’s a hidden gem of excellent combat, robust exploration, and surprisingly deep customization to uncover in the sinking sands of its arid wilderness. It’s slightly disappointing that co-op is online-only with no cross-play, but thanks to solid technical performance, it sticks in my mind as one of the better worlds I’ve explored with a friend lately.

• SWITCH
• 7 / 10
• États-Unis

Disney Illusion Island’s platforming may be extremely polished but it’s not particularly inventive, and nor is it likely to appeal to anyone who favours a more combat-oriented Metroidvania experience – its enemies are strictly for dodging rather than destroying, and its small assortment of boss fights are mostly anticlimactic. Where it excels, though, is in providing a wholesome co-operative journey through a charismatic cartoon world that’s well-suited to pairings of parents and their children, or perhaps older and younger siblings. It effectively gives every member of the party the means to happily bound along on the ride without ever being made to feel like a burden. If you’re after a frictionless, family-friendly platforming adventure that’s heavy on charm and light on challenge, then Disney Illusion Island fits the bill better than a muzzle on Donald Duck.

• PC
• SWITCH
• PS4
• XONE
• XSX/S
• PS5
• 7 / 10
• États-Unis

It is very easy to have a good time playing a few runs of Double Dragon Gaiden: Rise of the Dragons roguelike gauntlet of four levels and bosses. Jumping in and learning its satisfyingly punchy combat and long list of fun and unique playable characters that you can tag in for combos turns a somewhat shallow pond of an early game experience into an impressive lake of collaborative combat options. But things got a little too repetitive and frustrating before I even got my first clear thanks to the shallow enemy pool, few game-changing upgrades, a brutal difficulty spike if you choose to save the wrong boss for last, and lack of worthwhile unlockables to chase outside of new fighters.