Notes de presse

• PS4
• 6.5 / 10
• France

• PS5
• 85%
• Espagne

• PS5
• 83%
• Espagne

• XONE
• 8.5 / 10
• États-Unis

• XONE
• XSX/S
• PC
• PS5
• PS4
• 8.5 / 10
• Australie

• PS5
• 90%
• Espagne

• PC
• SWITCH
• PS5
• PS4
• XONE
• 15 / 20
• France

• XONE
• 8.3 / 10
• États-Unis

Song of Horror is one of the best indie Survival Horror games I’ve played in years and it doesn’t even include weaponry to use. There’s even a character who has a holster with a loaded gun, but claims he wishes to never use it. When the Kickstarter failed, the developers doubled down and still made a wonderful game. When they released it for PC, they listened to feedback and tweaked the game improving on it. Their love is visible with the details in the mansion, with their story, and care for updating and fixing the bugs. I look forward to what Protocol Games works on next considering the quality of this game alone, whether it’ll be a new project or perhaps a sequel of this game. If you’re the type of gamer that enjoys a horror game with a creepy home and lots of puzzles, then this game is perfect for you. Lacking the shooting combat that is involved in most of the games in this genre makes it unique and memorable. However, it won’t be a breeze on harder difficulties and will demand a high level of concentration and patience. Players will need to listen at every door and read the subtitles for what characters say. Walking into certain rooms is a perma-death if not solving certain puzzles first, this will keep players attentive. The story will be a mind warp with constant questioning of, “is my character in a dream state,” and you will want to play the game again after seeing the ending scenes. Song of Horror is a wonderful psychological horror title with an even better story, the fixed camera and unique gameplay will keep players on the edge of their seats to avoid the perma-death feature.

• PC
• 8 / 10
• Italie

• SWITCH
• 9 / 10
• Royaume-Uni

Where 80 Days was about the broad implications of travelling the entire globe, Overboard! focuses instead on the minutiae of a single day, and the intricacies of interaction. It's a glorious study in how to create a delicate Rube Goldberg machine of dialogue and dependencies, as a cast of mostly terrible people waltz around each other with ulterior motives and pre-existing feelings about everything, including our Veronica and dear, departed Malcolm. It's excellent: play it.

• XONE
• États-Unis

• PC
• 9 / 10
• Irlande

• PS5
• 8 / 10
• France

• PS5
• 10 / 10
• États-Unis

• PS4
• 8 / 10
• États-Unis

• XONE
• 6 / 10
• Italie

• PS5
• 8 / 10
• Italie

Metro Exodus arriva sulle piattaforme next-gen con una versione sostanzialmente migliorata sul piano tecnico, grazie alla risoluzione tendenzialmente più alta (sebbene lo scaler dinamico entri spesso in azione in maniera aggressiva), a un frame rate raddoppiato e all'implementazione del ray tracing, che aggiunge grande spessore al gioco di luci, ombre e riflessi che ritroviamo in particolare nelle sequenze più tradizionali dello sparatutto di 4A Games, quelle cioè che si svolgono all'interno di scenari chiusi. Il compromesso finale è più che accettabile e l'esperienza ne guadagna parecchio, giustificando assolutamente l'acquisto per i nuovi utenti e un secondo giro sul treno per chi ha già completato l'ultima avventura di Artyom.

• PC
• PS5
• XSX/S
• 15 / 20
• France

Oui, Cris Tales est à la hauteur des attentes suscitées par la démo et confirme l'engouement ressenti lors de sa preview. Avec son concept innovant et sa direction artistique pleine de charme, le premier titre du studio indépendant Dreams Uncorporated a de quoi convaincre les amateurs de RPG traditionnels au tour par tour, à la recherche d'une expérience inédite aux bases solides. De plus, l'accessibilité du titre représente une excellente entrée en matière pour celles et ceux qui voudraient se lancer dans leur premier J-RPG. En définitive, Cris Tales pèche essentiellement par quelques détails techniques à retravailler.

• PS5
• 7.5 / 10
• France

• PC
• 7 / 10
• France

Roguebook offre un approche très maligne avec son accumulation de cartes pour nous rendre plus fort. De plus, avec ses quatre héros, il varie les duos pour nous donner des boucles toujours intéressantes avec différentes stratégies et synergies. L’idée du pinceau révélant progressivement la carte est intéressante mais le jeu manque tout de même de contenu pour nous faire tenir assez longtemps. L’aventure en elle-même n’est ainsi pas palpitante à cause d’un manque de narration et on regrette que les animations ne rendent pas hommage aux sublimes cartes.

• PC
• 15 / 20
• France

• PS5
• 4.5 / 10
• États-Unis

• PC
• 5 / 10
• Irlande

• XSX/S
• États-Unis