VideoGamer.com

• PS4
• 6 / 10
• Royaume-Uni

A fun take on both stealth games and genre films, Serial Cleaner will be way more enjoyable if it can fix a bad lighting bug that made it almost unplayable.

• 3DS
• 3 / 10
• Royaume-Uni

Ironfall is a terrible third-person shooter with clunky cover mechanics, shoddy controls and even worse voice-acting.

• X360
• PC
• 7 / 10
• Royaume-Uni

Zuma doesn't quite pop off the screen and infest itself into you brain like PopCap's bigger hits, but there's some entertaining puzzles to be had within its therapeutic confines

• PC
• PS3
• X360
• 8 / 10
• Royaume-Uni

Vietnam isn't a dramatic reinvention of Bad Company 2, though I doubt anybody would want it to be.

• PS4
• 7 / 10
• Royaume-Uni

What’s on offer here is a version of what would only have been available, back then, from a top-flight studio; a haven for those who crave a hit of Tartakovsky; and a hack-and-slash hardly ahead of the curve but happy to polish the past.

• SWITCH
• 7 / 10
• Royaume-Uni

The fun of playing these games, especially these days, lies in the director, Ryuchi Nishizawa, whose approach to genre was one of precise and genial disregard.

• SWITCH
• 6 / 10
• Royaume-Uni

It’s to Flight School Studio’s credit that, though the clashes at the game’s core left me underwhelmed, the whole thing didn’t feel hollowed-out. This is down to Annika, who sits at its heart and drives it on.

• SWITCH
• 7 / 10
• Royaume-Uni

Though it comes with a crop of upgrades, and its graphics have been brushed to a smooth shine, what it offers, despite its title, is the joy of the old.

• PS5
• 5 / 10
• Royaume-Uni

Reaching the credits, I sat back, exhausted and disappointed at where the series had ended up.

• PS4
• 6 / 10
• Royaume-Uni

Taro’s approach is of a restless rarity; he swaps genres as though trying to scratch an itch.

• PS5
• 6 / 10
• Royaume-Uni

In that image lies the appeal—and for some the off-putting twinge—of Oddworld: a bleak and black-hearted concoction, laced with snickering humour and shot through with hope.

• XSX/S
• 5 / 10
• Royaume-Uni

The best time I had with the game was a ten-minute stretch that contained (a) no crashes or bugs, (b) the right level and world tier—essentially, a measure of enemy toughness—and (c) a harmony of tactics, sorcery, and gunfire.

• PS4
• 9 / 10
• Royaume-Uni

Soon all you'll care about is getting Game of the Year over those damned Circle Enix guys and spending five consecutive hours trying to get a decent score.

• PS5
• 7 / 10
• Royaume-Uni

It’s worth pointing out that few other studios have the confidence to take this approach to horror: not to jolt you with sudden frights or to ration your ammunition, but to probe and puncture your emotional ease by putting foulness in such close proximity to the childish.

• XSX/S
• 7 / 10
• Royaume-Uni

Who would have thought that the solution to madness might be marriage?

• PS5
• 7 / 10
• Royaume-Uni

That’s why, as much as Hitman III was a pleasure to play, it left me longing for the mood of the old games.

• PS5
• 8 / 10
• Royaume-Uni

The scenes that have lodged most deeply in my memory are not those devoted to the chases, the shootouts, or the narrow squeaks, but those possessed of a quiet empathy.

• PS5
• 7 / 10
• Royaume-Uni

What I didn’t expect from the new Call of Duty was downtime, and the suggestion, at least in the first half, that guns, while great for going in blazing, can provide just as potent a thrill when holstered.