IGN

• PS4
• XONE
• PC
• 6.9 / 10
• États-Unis

When you’re playing as Jason, this is unquestionably the best Friday the 13th game ever made. I really appreciate the genuine love for the franchise on display here. Hunting down players and executing them in spectacularly gory scenes is an homage that warms my lifelong Friday-fan heart. But the fun of its asymmetrical multiplayer-only action is heavily skewed toward Jason, which means you’ll mostly be stuck playing as teens rummaging through drawers. Despite that lopsided gameplay and some pretty heinous glitches, there is some dumb fun to be had here – which is all the movies ever really offered, anyway.

• PC
• XONE
• 6.5 / 10
• États-Unis

Thanks to the imprecision of its shooting controls and the cheap behaviour of its AI, I could never really develop any confidence in Tokyo 42’s frustrating combat. Which is a shame because, glitches aside, I really loved exploring the wonderfully crafted world and the simple yet still challenging nature of its stealth-based assassinations. This tiny hitman game dresses smart, packs the right kind of ammunition and certainly aims its sights high, it just doesn’t quite nail the execution.

• PC
• PS4
• XONE
• 6.5 / 10
• États-Unis

Rime’s superficial beauty and interesting mysteries provided enough enjoyment to make me willing to put up with its shallow and familiar elements under the hood. While nothing about Rime is necessarily bad, you can find more interesting versions of nearly every single element of it in other, better games.

• PC
• 7.9 / 10
• États-Unis

Endless Space 2 is a beautiful and capable 4X game, with memorable personality that's seemingly calculated down to the pixel level. It doesn't deviate much from the genre's norms, but it delivers a generally satisfying 4X experience with only a few missteps in combat and diplomacy. Provided you're also okay with tackling a steep learning curve, it's also a satisfying entry point for the genre.

• PC
• 5.2 / 10
• États-Unis

A cool license and a clever time-twisting idea both go to waste in Reservoir Dogs: Bloody Days. With more mission variety, character development, and technical polish I could see this being an unexpectedly fun top-down shooter. As it is, its lack of ambition in scenario design makes too little use of its unique mechanic which, in itself, doesn’t always work the way you’d expect it to. Bloody Days also fails to really capture the feel of the movie on which it’s based, presenting iconic characters as cheap knock offs that spout their signature lines at odd moments like pull-string toys. While the shooting can be fun and challenging, this one’s definitely not worth losing an ear over.

• 3DS
• 7.8 / 10
• États-Unis

On the battlefield, Fire Emblem Echoes: Shadows of Valentia is a delightful look into the simpler combat of Fire Emblem’s past. Elsewhere, it carefully guides the series forward into new territory. There’s not as much depth as I expect from this series, but whether I was exploring 3D forests, shrines, and caves in a series first, or learning first hand why Fire Emblem’s early entries are considered a formidable challenge, it was usually good old-fashioned fun.

• PC
• PS4
• XONE
• 7.9 / 10
• États-Unis

The Surge makes good use of its detailed sci-fi setting and provides an engaging experience throughout the 30 to 40-hour campaign, mostly thanks to its widely customizable inventory and wickedly fun combat system. It may struggle to keep the action moving and tell a strong story amid the chaos of battle, and its weapon progression plateaued early, but it offers some interesting ideas and delivers a solid new take on a familiar genre.

• PS4
• 7.5 / 10
• États-Unis

Farpoint is more than a proof of concept or another tech demo for virtual reality. Despite its predictable and unsatisfying story and hard-to-ignore bugs, it’s a full-fledged sci-fi shooter that feels fantastic to play with Sony’s high-quality PSVR Aim Controller (and slightly awkward without it). Several smart control options and design choices cater to a variety of different types of players, and the gunplay is second to none in VR. If I were to recommend one shooter to a PSVR owner, this would be it.

• PS4
• XONE
• PC
• 9 / 10
• États-Unis

Injustice 2’s fights improve on Gods Among Us in nearly every way, specifically addressing fan concerns about movement speed and giving you new ways to burn meter. Visually, the DC roll call shines even as they star in a flat and unnecessarily grim story. The unrivaled amount of single-player content to explore, especially the highlight Multiverse mode, and the height of Injustice 2’s skill ceiling make it an easy environment in which to lose hours of your day without ever even challenging another human… or giant telekinetic gorilla, as it were.

• PC
• PS4
• 6.3 / 10
• États-Unis

When it works, Strafe is a generally entertaining retro-styled shooter that mixes procedurally generated levels into an experience strongly reminiscent of Quake. It's a great concept that usually comes together, but between the quirks of randomization, powerful enemies that run almost completely silent, lethal bugs, and hefty costs for vital armor and ammo powerups, a lot of the time it feels as challenging as rolling the dice and coming up with double sixes.

• PC
• XONE
• PS4
• 8 / 10
• États-Unis

• SWITCH
• 9.3 / 10
• États-Unis

• PC
• 7.6 / 10
• États-Unis

Warhammer 40K: Dawn of War 3 is flashy and loaded with complex, micromanagement-heavy warfare. Its single-player campaign is long and challenging, but feels uninspired because it rarely makes creative use of the three factions’ abilities. In multiplayer it’s even more demanding and intimidatingly chaotic, but with only one mode and not a lot of maps, it seems limited. Relic deserves credit for not simply remaking the same game with prettier graphics, but this hybrid approach doesn’t feel as strong as Dawn of War 2’s memorable tactical focus.

• PC
• PS4
• XONE
• 8.8 / 10
• États-Unis

• PC
• PS4
• XONE
• SWITCH
• 8.8 / 10
• États-Unis

Like Hide and Seek, Little Nightmares confidently captures the exhilarating fear of waiting to be found by something that’s hunting you. But it also replicates the alien horror of being a child that doesn’t understand what’s happening to and around them, and of a seemingly familiar environment turned into a series of opportunities for safety and danger. Smart, grotesque and never-endingly weird, this is a very different, extremely welcome kind of horror game that left me wanting more than its brief five hours provides.

• PS4
• PC
• 7.5 / 10
• États-Unis

Dragon Quest Heroes 2 feels like a step forward in some ways, but a step back in others. The new additions to combat are nice, but the attempts to bring more RPG elements to the story missions don’t always work out for the best – at worst, they wind up transforming an enjoyable action game into a boring slog. At least it shows that Omega Force is willing to try new things with their long-established formula. Let’s hope that their experiments go a little better next time.

• SWITCH
• PC
• PS4
• XONE
• 8.3 / 10
• États-Unis

Outlast 2 is a terrifying sequel that builds upon the scares of the 2013 original. Even if its ambitious themes don’t always land and navigating through its world can be frustratingly inconsistent, there’s more wicked creativity at play here than I’ve seen in a horror game in a long time. Play it loud, in the dark.

• PC
• PS4
• 7.6 / 10
• États-Unis

Virtual Rick-ality does a great job emulating the dark humor of the source material, even if it occasionally overindulges in its self-awareness. Smart use of well-established VR minigame mechanics guides you through the experience, and aside from some slight issues navigating the space on a two-sensor Oculus Rift setup, these familiar and fun activities mesh well with the amusing efforts of the writing team and cast. Rick & Morty’s first foray into virtual reality is not only a solid VR experience, but the duo's strongest attempt at translating the spirit of the show into a game yet.