Notes de presse

• PS4
• 7 / 10
• États-Unis

• PS4
• 6 / 10
• Royaume-Uni

A sequel that seems somewhat embarrassed of the series’ sexist past and shallow combat but fails to do anything meaningful about either.

• SWITCH
• 8 / 10
• Italie

• PS4
• 6.75 / 10
• États-Unis

• XONE
• États-Unis

• PS2
• 97%
• Espagne

Tanto el camuflaje como los aspectos de supervivencia o el combate cuerpo a cuerpo añaden una profundidad insospechada a su genial planteamiento basado en la infiltración. Y por si eso fuera poco, la realización técnica merced a un nuevo motor gráfico, se sale. Un juego destinado a hacer historia.

• PS4
• États-Unis

Dead or Alive 6 is a solid new chapter in Team Ninja’s long-running fighting game series that has rarely been satisfied with just being “solid.” All of the groundwork that needed to be built here was built, but upon it was placed a mostly by-the-numbers experience that is too often just as frustrating as it is fun. While a reworking of the game could leave it in a much better place in the future (and on newer consoles), for now it’s a good release for people wanting more Dead or Alive as long as they don’t mind its value is limited.

• PS4
• États-Unis

Dead or Alive 6 suffers from a few setbacks that prevent it from being a definitive step up from its predecessor: the story is (still) weak, costumes are an absolute pain to unlock if you’re unlucky and the DLC model is as atrocious as ever. Really, it’s a similar problem I noted back when I reviewed My Hero One’s Justice: you’ll stick around for the multiplayer and avoid everything else. The only difference is that you’re not subjected to a demoralizing grind in that one. Fortunately, it does everything else quite well. The visuals are fantastic, the game itself is very accommodating to newcomers, and the fighting is thrilling and has enough depth to keep a more experienced fan’s attention. Though I’m not sure if DoA6 is the game that fans expected after a seven-year wait in the end, I can firmly say it still serves up a fulfilling experience — fanservice and all.

• PS4
• XONE
• PC
• 7 / 10
• Italie

• XONE
• États-Unis

• PS4
• 5.5 / 10
• États-Unis

• PS4
• 8 / 10
• États-Unis

• PS4
• 75%
• Canada

Trials Rising offers up a great set of tracks with a good difficulty curve and the most fleshed out multiplayer options the series has ever had, though forced grinding to unlock later tracks in the campaign and intermittent performance problems create the kind of barriers you didn't want to see.

• PS4
• 4.3 / 5
• Espagne

• XONE
• 7.5 / 10
• États-Unis

• XONE
• 6.5 / 10
• États-Unis

Dead or Alive, for better and for worse, attempts to do things a bit differently with its sixth mainline entry. The game’s fluid and weighty combat is its high point, together with its depth of content and its diverse selection of modes and unlocks. Unfortunately, the game is held back quite a bit by its convoluted campaign, its unnecessary costume grind, and its lack of stage refinement. Bottom line? DOA6 is a competent fighter, nothing more, nothing less.

• PC
• SWITCH
• PS4
• XONE
• 7 / 10
• Royaume-Uni

• SWITCH
• Pays-Bas

• PS4
• XONE
• PC
• 7 / 10
• Italie

• PS4
• Pays-Bas

• PC
• 7 / 10
• Italie

• PS4
• XONE
• PC
• 7 / 10
• États-Unis

Bioware's new live service shooter, Anthem, may be off to a rough start, but the core gameplay is still fantastic, and there is definitely hope for the future.

• PC
• SWITCH
• 14 / 20
• France

• PC
• PS4
• XONE
• 8 / 10
• Italie

Far Cry New Dawn riparte esattamente da Far Cry 5 non solo dal punto di vista narrativo, ma anche tecnico. Un “more of the same” che mutua gran parte del gameplay e della struttura di gioco dal predecessore, rivelandosi un buon sparatutto avventuroso caratterizzato in positivo da una bella grafica, un’interessante struttura open world e da elementi free roaming, mentre in negativo da una mappa non troppo grande, da un’intelligenza artificiale non sempre all’altezza delle situazioni e da una trama che ha dei buoni spunti, ma che non sempre scava a fondo nelle pieghe più distorte di certe tematiche o dell’animo dei personaggi, comprese le due antagoniste principali, che gli sviluppatori lasciano invece solo intuire senza entrare mai nel dettaglio.