Notes de presse

• PS5
• 6.5 / 10
• Australie

• PS5
• 9.5 / 10
• Australie

• XSX/S
• États-Unis

• PS5
• 7.8 / 10
• Italie

• SWITCH
• 14 / 20
• France

Mario vs. Donkey Kong modernise le titre d'origine. Cependant, cela n'empêche pas le sentiment de répétitivité de s'installer dans ce jeu conçu pur de (très) courtes sessions.

• XSX/S
• PS5
• PC
• 12 / 20
• France

Bien trop limité dans sa proposition, sa formule et son contenu, Skull and Bones ne parvient jamais à mettre son gameplay plaisant au premier plan, la faute à un criant manque de finition.

• PS5
• États-Unis

• SWITCH
• Australie

• SWITCH
• 7.5 / 10
• États-Unis

Solid and definitely has an audience. There could be some hard-to-ignore faults, but the experience is fun.

• PS5
• 30%
• États-Unis

• SWITCH
• 80%
• Espagne

• PS5
• 5 / 10
• France

Skull and Bones porte ironiquement bien son nom tant il ressemble à un squelette décharné. Dix ans de développement pour un jeu vidéo, c’est long, très long, et le titre d’Ubisoft Singapour porte tous les stigmates de ce calvaire, à commencer par sa réalisation datée. Enfermé dans une boucle de gameplay lassante à terme, le jeu fait tout son possible pour nous occuper avec des déclinaisons de missions ad nauseam et une accumulation de couches et de surcouches de craft, améliorations et personnalisations qui finissent par coller un sacré mal de mer. S’il n’est finalement pas ce catastrophique naufrage tant redouté, Skull and Bones tient tout de même plus du radeau bricolé et balloté par des flots incertains, que du fier galion qui aurait dû nous embarquer dans une aventure épique. Bref, à moins d’avoir une irrépressible envie d’embruns et de capitalisme vidéoludique, peut-être vaut-il mieux rester au port.

• PS5
• 7.5 / 10
• Italie

Alisa Developer's Cut è un gioco per nostalgici. Se vi mancano la telecamera fissa, i controlli di movimento più legnosi di sempre, un doppiaggio estremamente approssimativo e una narrativa non entusiasmante, proprio come nel primo Resident Evil, allora è il gioco che fa per voi. L'intera esperienza è pensata come un tributo al modo di fare action horror degli anni '90, senza modernizzazioni o compromessi di alcun tipo e in questo è un successo straordinario. L'effetto macchina del tempo è pressoché istantaneo, ma la consapevolezza della contemporaneità peserà molto su chi questa nostalgia non la sente o quel periodo non l'ha vissuto. L'esperimento dello sviluppatore belga Casper Croes è da considerarsi riuscito: è possibile fare i giochi come una volta ma non è detto che sia la cosa migliore per tutti.

• XSX/S
• PC
• 7 / 10
• États-Unis

Skull and Bones isn’t the successor to Assassin’s Creed 4: Black Flag that many seem to want, and it isn’t many of things Ubisoft itself said it would be at various points in its storied history, but the seafaring RPG we ultimately got is still surprisingly good. Sailing around the Indian Ocean firing cannons, mortars, and giant ballista at your foes is a fun time, the RPG mechanics and cooperative buildcrafting is as deep as the ocean with plenty of awesome gadgets to grind for, and the economy simulator is impressively in-depth. It doesn’t quite fulfill the promise of a decade-long cruise to port yet either, with a thin endgame, almost no story to speak of, and general instability that sometimes makes the adventure feel like a rough draft. But here’s hoping some of those shortcomings can be washed away by the waves of content already planned to come in an ambitious live-service roadmap that’s fast approaching. For now, its maiden voyage is a good start.

• XSX/S
• 4 / 10
• Royaume-Uni

• PS5
• PC
• 90%
• Canada

The Sequel to the original HELLDIVER game takes it a step further and puts your more closer to the danger and combat. With danger turning into war withing seconds, your only option is to rely on Stratagems, Allies and Democracy.

• PS5
• 65%
• États-Unis

Foamstars can be a blast under the right conditions. It’s colorful, fast, fluid, and has a great party atmosphere. It’s also disgustingly over monetized, has terrible voice acting, and a boring single player mode. When you’re in a match with players of a similar skill level playing as your main, it’s a ton of fun. But with only three main modes the fun can run out fairly quickly. Who knows how long Foamstars will last, but even with the negatives it’s still worth giving it a shot.

• PC
• 13 / 20
• France

• PS5
• 7 / 10
• France

• PC
• 40%
• Japon

• XSX/S
• États-Unis

• XSX/S
• 9 / 10
• États-Unis

A Little to the Left has proven to be a great ‘night cap’ game for us these past few days, one to play for half hour before bed to unwind. It’s also been a nice palate cleanser in between other, more action heavy titles. It’s the kind of game that will suit almost anyone, offering up a fun, chill, satisfying experience.

• PS5
• 8.5 / 10
• États-Unis

• SWITCH
• 8 / 10
• France